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Bitten by the Blues: The Alligator Records Story (Chicago Visions and Revisions), by Bruce Iglauer Patrick A. Roberts
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Review
“This book is long overdue. Alligator Records has been a cornerstone of the blues world for over four decades. The stories about the artists and sessions that have paved the way for so many others are a pleasure to read. As an Alligator artist I am truly grateful for what Bruce and Alligator Records have done for me and this genre.” (Shemekia Copeland)“Bruce and his history with Alligator Records encompass so much of the richest and most exciting eras of urban blues. All the fascinating stories and behind-the-scenes intrigues are here, and the indelible legacy of his commitment to this music and the artists he cares so passionately about makes this a terrific, important read.” (Bonnie Raitt)“When I was about twenty years old, Hound Dog Taylor & The HouseRockers were my imaginary best friends. They were with me everywhere I went because I always had my portable CD player with me. I know for a fact I wouldn’t be in this business if Bruce hadn’t released those first two Hound Dog records. The fire Bruce captured on those records is the magic place I’m reaching for every time I’m in my studio.” (Dan Auerbach, The Black Keys)“Blues and gospel have always been first cousins, and Bruce was as supportive and gracious to me as you could imagine, always willing to offer his insight and expertise. He's been a true friend of the blues and independent music." (Mavis Staples)“Bruce Iglauer stepped through the door of Florence’s Lounge on Chicago’s South Side and into a timeless love affair with the blues. Iglauer’s story is about finding talent, nurturing it, and sharing it with others. It’s also about staying independent in a world where conglomerates glom and Big Tech assumes more power. His Alligator Records is a soundtrack to modern blues, from Hound Dog Taylor in 1970 on through Son Seals and Albert Collins and to today’s JJ Grey & Mofro. There are great stories here.” (Robert Gordon, author of Respect Yourself: Stax Records and the Soul Explosion)“In many ways the story of Alligator Records is the story of the blues over the last fifty years. Bitten by the Blues is the saga of Alligator Records through the eyes of the one person who knows it best—label founder and owner Bruce Iglauer. With his tough business mind, coupled with an often self-effacing sense of humor, Iglauer tells the tale of the Gator with candor and clarity. From the first Hound Dog Taylor record that launched the label, to the meteoric success of artists like Luther Allison and Shemekia Copeland, Alligator Records has, in many ways, defined success in the blues world. Bitten by the Blues is an eye-opening look at one of the most popular independent blues labels in history.” (Brett J. Bonner, editor, Living Blues magazine)“Apart from the musicians themselves, few Chicagoans have done more for the genre—or witnessed more of its history from the inside—than Iglauer.” (Howard Reich Chicago Tribune)“In what is simultaneously a coming-of-age story; an elegy for a bygone, grittier Chicago; and a case study on the many ways the color barrier was crossed musically in the mid-twentieth century, Iglauer and Roberts contextualize the blues’ story as America’s.” (Booklist)“Iglauer and coauthor Patrick A. Roberts provide an enlightening view of the music-making process—from scouting talent to obscure clubs to the quest for originality in the studio to marketing and distribution.” (DownBeat)“You have to admire Bruce Iglauer’s dedication and persistence over the years. He acknowledges he’s a workaholic but he has also been meticulous in his control of every aspect of his business. He’s been tireless and inspired in building up his artist roster, moving away from his early obsession with Chicago artists and branching out, both following and helping to create new blues forms.” (Blues & Rhythm)
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About the Author
Bruce Iglauer is president and founder of Alligator Records, the largest contemporary blues label in the world. He is also a cofounder of Living Blues magazine and a founder of the Chicago Blues Festival. Patrick A. Roberts is associate professor in the College of Education at Northern Illinois University. He is coauthor of Give ‘Em Soul, Richard! Race, Radio, and Rhythm and Blues in Chicago.
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Product details
Series: Chicago Visions and Revisions
Hardcover: 336 pages
Publisher: University of Chicago Press; First edition (October 19, 2018)
Language: English
ISBN-10: 9780226129907
ISBN-13: 978-0226129907
ASIN: 022612990X
Product Dimensions:
6 x 1.2 x 9 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
17 customer reviews
Amazon Best Sellers Rank:
#47,834 in Books (See Top 100 in Books)
I bought this book and read it within 24 hours. Enjoyable throughout. I've known Bruce Iglauer, who IS Alligator Records, since his very first record, but I didn't even know there was a book until a few days ago. I'm glad I found it. Very straightforwardly written, this tells the story of a young guy who got hooked on the blues and then pursued his passion -- starting an independent record label, and one that has remained true to its vision throughout. At one point, there were hundreds of indies (I co-founded one of them) but Alligator always stood out for its dedication to one genre and serving it well. The label clearly believed in its artists and helped book and manage them as well. This book tells how Bruce got the label off the ground -- one record a year for the first several years, and recounts many of the challenges along the way. Even those who were never part of the record business can appreciate the way it worked, because the writing is clear and doesn't presume knowledge of business jargon.
Soon as I saw this book I had to order it, if only to re-pay a kindness Bruce Iglauer extended to memany years ago when he smoothed the way for me to take photos from the stage area atthe Long Beach Blues Festival (1985)(of which many of these photos are to be seen at mywebsite JAZZ FOR MOSTLY)-------------- What a great memoir and I am only halfway done! (I keephaving to get up and pull an Alligator record off the shelf to re-visit all the stories he tells)------- Bruce isonly a half dozen years elder to me, so, besides being extremely jealous of his Chicago days, I cancertainly relate: Imagine being a white guy from the middleclass suburbs of the sprawling SouthernCalifornia raised on 60s pop & rock music & the Rolling Stones and one night walking into a beer jointin South Central (we called it Watts back then) in 1973 and hearing Pee Wee Crayton ---- I thought I wasin heaven, here I was a beer drinker myself, among a whole room of beer drinkers, the odd tone of myskin stood out but was irrelevant in the bath of sound coming off this little stage ----------- Bruce gets toall this, and I also appreciate that he reveals much about the business of being a record company------I sure wish he had a camera those years, this guy was no slouch when it comes to going into dangerousterritory ---------------- and I also appreciate that he lays out the differences of South Side Chicago fromWest Side from North Side, something I’ve always wonder’d about-----------------It hits you soon asyou get inside the beer joint that these black blues guys could mop the floor with the Rolling Stones, Iwas hooked, and all those years I should have been in collitch, I was in Watts drenched in BLUES music------------ANDI was unaware that Mr Iglauer was one of the founders of LIVING BLUES magazine, of which, I’ve been asubscriber since issue #10------------------------------signed, Mark Weber
I bought this because I love the blues and am very appreciative of what Bruce Iglauer has done for the blues. I did know much of the story behind Bruce and his original signing of Hound Dog Taylor. But this goes beyond that story and describes his steps to bring Alligator to the forefront of blues. As a musician, I liked his information on recording, producing and distribution, things I did not expect to read about. I grew up in Chicago, did many of the things that Bruce talks about, played the blues and lived near some of the famous blues joints. So I guess I am partial to this story, but still, it is a great one. Needless to say, I loved the book and if you are a blues fan, so will you.
I have many Alligator records and CDs. I have been turned on to many artists that I would have known nothing about. I remember the first time I heard 'Give me back my wig,' by Hound Dog Taylor. It was electrifying. I saw Albert Collins on an Alligator concert at Carnagie Hall, with Lonnie Mack and Roy Buchanan. Albert blew them both away. On a compilation record, I heard Elvin Bishop on a cut. I had no idea that he had gotten so good. On the same CD were unbelievable cuts from Lonnie Brooks, Luther Allison, and James Cotton. I hope the Alligator label makes it in the current environment.
I love the blues and Alligator has always been there for my listening pleasure, and what a great book that tells the stories of how and why Alligator has been there. The book covers the history, the founder, the artists, tours, and insight into the business of recorded music and it’s sales and distribution which is all fascinating and leaves you thankful that Alligator has survived. Great insight into the music business and the Alligator artists which I think would be a great read whether you are a blues fan or not.
I have been buying blues CD's put out by Alligator records for many years. The label has a great roster of artists with great music. I probably own at least a third if not half the catalog. When I saw this book by the owner I decided to get it. He goes into great detail about building and maintaining the Alligator company as well as great detail about the many artists on his roster. If you want details and an inside look at the music business as well as stories about many great blues artists then I highly recommend this book.
As a long time fan of the blues I started going to Chicago in the early seventies while still in college. The author and I share the same taste and visited some of the same clubs. Though I never had the courage to go into the South end! So I really loved learning more about some of the artists whose music I've enjoyed for close to fifty years. I'm also an entrepreneur so I also could appreciate his tales of bootstrapping his company and dealing with distributors bankruptcies. If you love the blues I cannot recommend this book highly enough.
What a great book about Bruce's passion and dedication to the blues and the artists he represented. Inspiring reading if you're a blues music fan. I still love when I can convert someone to a blues fan, often after insisting they listen to Alligator artists like Lil Ed, Little Charlie, or Luther Allison.
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